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Lauren Elkin: Art Monsters Veronica RyanVintage, 2024, softcover, 368 pages, 13 x 20 cm For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body.
The Lives of Documents - Photography as Project prompts reflections on the idea of the documentary as an embedded quality of photography
and young women
yet constantly internet-based information
Edward Hoagland
practices and knowledges
and stark graphic lines to life on the page
where Melgaard will live and work in Oslo
Coltrane's move into modal music was governed by different principles than Coleman's melodic excursions Sun Ra's attention to texture and rhythm created an entirely different big bang sound then had Mingus's attention to form
and Desmond Morris
and practices have repelled them from it
and civil rights
the transcript of the last substantial testimony by the artist was edited into 27 monologues and dialogues
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