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but also our everyday existence
she realizes she has submitted her will to his and finds that she is a slave without a master
one can think of them—and the spaces they inhabit—as an ever-evolving ‘double self-portrait’
more She photographed both the organisation of political events
the non- human and the worlds they inhabit
Mise en abyme theatre but also our everyday existenceJan Mammeys Mise en Abyme looks at how a photographer looks. As the title suggests, each picture has a picture within the picture, in fact an image, or several, pinned up in the artists studio and documented again. What is more, Mammey first shots focus on modes of presentation advertising, diagrams, architectural models, picture frames so that subjects nest within subjects. Yet despite the matryoshka doll construction, the originally photographed
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